September 6th, 2010

  • lusaka

The Iliad

"Everything is more beautiful because we’re doomed. You will never be lovelier than you are now. We will never be here again."

- Homer
  • lusaka

Witch burning

"If I am a little one, I can do no harm.
If I don't move about, I'll knock nothing over. So I said,
Sitting under a potlid, tiny and inert as a rice grain."

- Sylvia Plath
  • lusaka

Mad girl's love song

I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.

I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)

- Sylvia Plath
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The octopus

There are many monsters that a glassen surface
Restrains. And none more sinister
Than vision asleep in the eye's tight translucence.
Rarely it seeks now to unloose
Its diamonds. Having divined how drab a prison
The purest mortal tissues is,
Rarely it wakes. Unless, coaxed out by lusters
Extraordinary, like the octopus
From the gloom of its tank half-swimming half-drifting
Toward anything fair, a handkerchief
Or child's face dreaming near the glass, the writher
Advances in a godlike wreath
Of its own wrath. Chilled by such fragile reeling
A hundred blows of a boot-heel
Shall not quell, the dreamer wakes and hungers.
Percussive pulses, drum or gong,
Build in his skull their loud entrancement,
Volutions of a Hindu dance.
His hands move clumsily in the first conventional
Gestures of assent.
He is willing to undergo the volition and fervor
Of many fleshlike arms, observe
These in their holiness of indirection
Destroy, adore, evolve, reject--
Till on glass rigid with his own seizure
At length the sucking jewels freeze.

- James Merrill
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Nightgown

A cold so keen,
My speech unfurls tonight
As from the chattering teeth
Of a sewing machine.

Whom words appear to warm,
Dear heart, wear mine. Come forth
Wound in their flimsy white
And give it form.

- James Merrill
  • lusaka

crazy jay blue)

crazy jay blue)
demon laughshriek
ing at me
your scorn of easily


hatred of timid
& loathing for(dull all
regular righteous
comfortable)unworlds


thief crook cynic
(swimfloatdrifting
fragment of heaven)
trickstervillain


raucous rogue &
vivid voltaire
you beautiful anarchist
(i salute thee

- E.E. Cummings
  • lusaka

The book of disquiet

"By day I am nothing and by night I am I."

"How many we are! How many of us fool ourselves! What seas crash in us, in the night when we exist, along the beaches that we feel ourselves to be, inundated by emotion! All that was lost, all that should have being sought, all that was obtained and fulfilled by mistake, all that we loved and lost and then, after losing it and loving it for having lost it, realize we never loved; all that we believed we were thinking when we were feeling; all the memories we took for emotions; and the entire ocean, noisy and cool, rolling in from the depths of the vast night to ripple over the beach, during my nocturnal walk to the seashore."

- Fernando Pessoa
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Meanwhile

Trees outside the window and a big band sound that makes you feel like everything’s okay,
a feeling that lasts for one song maybe,
the parentheses all clicking shut behind you.
The way we move through time and space, or only time.
The way it’s night for many miles, and then suddenly it’s not,
it’s breakfast and you’re standing in the shower for over an hour,
holding the bar of soap up to the light.
I will keep watch. I will water the yard.
Knot the tie and got to work. Unknot the tie and got to sleep.
I sleep. I dream. I make up things that I would never say.
I say them very quietly.

- Richard Siken
  • lusaka

Sputnik sweetheart

"And it came to me then. That we were wonderful travelling companions, but in the end no more than lonely lumps of metal on their own separate orbits. From far off they look like beautiful shooting stars, but in reality they’re nothing more than prisons, where each of us is locked up alone, going nowhere. When the orbits of these two satellites of ours happen to cross paths, we could be together. Maybe even open our hearts to each other. But that was only for the briefest moment. In the next instant we’d be in absolute solitude. Until we burned up and became nothing."

- Haruki Murakami
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For Jane

"225 days under grass and you know more than I. they have long taken your blood, you are a dry stick in a basket. is this how it works? in this room the hours of love still make shadows. when you left you took almost everything. I kneel in the nights before tigers that will not let me be. what you were will not happen again. the tigers have found me and I do not care."

- Charles Bukowski
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Molt

First, there’s a hatching
in the crawlspace, the kindling

of hair. Something getting out
of hand. Then, riots in corners.

Water-scrawled walls. She’s aware
of the changes, the ringing

round her eyes, fur around her mouth.
Unbecoming a foxing. A murk

at the center. Something
is eating at her. Located in the velvet.

Dressed out like an animal,
she thistles & fickles. She fawns

in a murmur of milk. Grows feral.
Febrile. Soft as the inside of teeth.

- Claire Hero
  • lusaka

And yet the books

And yet the books will be there on the shelves, separate beings,
That appeared once, still wet
As shining chestnuts under a tree in autumn,
And, touched, coddled, began to live
In spite of fires on the horizon, castles blown up,
Tribes on the march, planets in motion.
“We are,” they said, even as their pages
Were being torn out, or a buzzing flame
Licked away their letters. So much more durable
Than we are, whose frail warmth
Cools down with memory, disperses, perishes.
I imagine the earth when I am no more:
Nothing happens, no loss, it’s still a strange pageant,
Women’s dresses, dewy lilacs, a song in the valley.
Yet the books will be there on the shelves, well born,
Derived from people, but also from radiance, heights.

- Czeslaw Milosz
  • lusaka

Thirty years rising

I needed to point to the buildings, as if they all stood
for something, as if Detroit could rise again
into its own skyline, filled in
as it always is inside me:
each cracked sidewalk, each
of the uniformed girls, braided
and quiet as weeds, each bicycled boy, each man
with a car and a wife, the ones I slept with
and arranged, neatly, like a newly laid
subdivision.

But I was driving with my brother
who doesn't like to think
of the thirty years rising
inside of us, the leavened truth. He's arrived
at the heavy black X of destination
on the inside of his forehead
and he doesn't want to see me
looking like this: open-palmed
and childishly dressed, with hipbones
instead of children, aching
to put my sneakered feet on his new leather
dash.

He doesn't want to hear me
say something fucked-up, something like:
It's in my bones. My sternum
runs like Woodward Avenue,
it's pinnated, parked on, full
of dirt, holding women in wigs and cigarettes, bars
lit from the outside in, it's overflowing
with pooltables and ashtrays. My ribs
are holding up factories and breweries, two-bedroom
houses and multi-storied lives, this strip,
this city, these sidestreets,
a bony feather.

He's lived here all his life
But I gave up these streets
for so many others. I hopped
turnstiles to ride the Metro,
memorized EL tracks and Muni stations
until I had a huge worn subway
map on the inside of my head, but couldn't get off at any stop,
couldn't begin to live in any city, and couldn't sleep
with anybody but myself. I gave up
this body for so many others. I've been both
an exaggeration of myself and someone
who looks just like me but sounds different.
But now I'm back
to visit both, and I need to point
to my first hotel room;
to the mortuary above which
my tall half-chinese half-german
punkrockboyfriend fingered me
like a book in his little bed;
and to the hospital where our bonemother
died so late or so early that
we were both sound asleep.

I didn't say it,
but: My sternum is breaking
with this, it's sinking
like Woodward as Detroit rises around
my brother's turn, rises and falls.
Falls not at all like this light summer rain
but hard, like someone else's memory,
insistent, unwanted, but suddenly,
and again, being claimed.

- Olena Kalytiak Davis
  • lusaka

Its shaped like a fork

This house is a mess. Full
of solid notions
that keep turning into objects:
this simple sadness
that's shaped like a fork
and the vague fear that crusts
these dishes. I'm vacuuming
over this grass-like pain.
Emptying pockets for the wash:
such a burden: not just wrappers
but keys and mints, those sticky
and sorrow-coated stones.
And this larger grief
that always needs to be folded.

All day I've been chewing
on my own acrid gloom,
trying to put away
the things you keep carrying
home from work: the possessions
of children and women
and drunks, stolen or cheated,
the tasteless unhappiness
of others into jars labeled:
Heartbreak, Injustice,
Just-Plain-Bad-Fucking-Luck.

- Olena Kalytiak Davis
  • lusaka

Lend me your light

"After almost a year in Toronto I received a letter from Jamshed. From New York -- a very neat missive, with an elegant little label showing his name and address. He wrote that he'd been to Bombay the previous month because in every single letter his mother had been pestering him to visit: "While there, I went to Firozsha Baag and saw your folks. Glad to hear you left India. But what about Percy? Can't understand what keeps him in that dismal place. He refuses to accept reality. All his efforts to help the farmers will be in vain. Nothing ever improves, just too much corruption. It's all part of the ghati mentality. I offered to help him immigrate if he ever changes his mind. I've got a lot of contacts now, in New York. But it's up to him to make up his mind," and on and on.

Finally: "Bombay is horrible. Seems dirtier than ever, and the whole trip just made me sick. I had my fill of it in two weeks and was happy to leave!" He ended with a cordial invitation to New York.

What I read was only the kind of stuff I would have expected in a letter from Jamshed. That was the way we all used to talk in Bombay. Still, it irritated me. It was puzzling that he could express so much disdain and discontentment even when he was no longer living under those conditions. Was it himself he was angry with, for not being able to come to terms with matters as Percy had? Was it because of the powerlessness that all of us experience who, mistaking weakness for strength, walk away from one thing or another?"

- Rohinton Mistry
  • lusaka

Marriage and midsummer's night

It has been a long time now
since I stood in our dark room looking
across the court at my husband in her apartment.
Watched them make love.
She was perhaps more beautiful
from where I stood than to him.
I can say it now: She was like a vase
lit the way milky glass is lighted.
He looked more beautiful there
than I remember him the times
he entered my bed with the light behind.
It has been ten years since I sat
at the open window, my legs over the edge
and the knife close like a discarded idea.
Looked up at the Danish night,
that pale, pale sky where the birds that fly
at dawn flew on those days all night long,
black with the light behind. They were caught
by their instincts, unable to end their flight.

- Linda Gregg